Egyptian, Classical, Ancient Near Eastern Art
On View: Old Kingdom to 18th Dynasty, Egyptian Galleries, 3rd Floor
Egyptian religion frequently adopted a mulitplicity of approaches to explain or represent different aspects of a single divine concept. The sun god, for instance, had a morning aspect called Khepri, commonly depicted as a scarab beetle pushing the sun disk across the heavens much as a beetle rolls a ball of dung across the desert floor. The noontime sun was Re or Re-Horakhty, often shown as a falcon or falcon-headed man with a sun disk on his head. Atum, who personified the sun that set over the western horizon to travel through the underworld, could be represented in many guises, including those of a human-headed cobra, a ram-headed man, or a weary old man.
ca. 100-30 B.C.E.
Ptolemaic Period (probably)
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Falcon-Headed Sun-God, ca. 100-30 B.C.E. Bronze, gold, 4 15/16 in. (12.6 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 51.147.1. Creative Commons-BY (Photo: Brooklyn Museum, CUR.51.147.1_wwgA-1.jpg)
installation, West Wing gallery A-1 installation, CUR.51.147.1_wwgA-1.jpg
. Brooklyn Museum photograph, 2005
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.