Drying Fishnets in the Four Seasons
Because they were freestanding and easily moved and stored, folding screens were used as flexible decorations in Japanese palaces and temples. They served as temporary room dividers and, through their style and subject matter, set the tone for special occasions. The pair of screens shown here likely dates to the Momoyama period (1573–1615), when many military leaders commissioned screens with an abundance of gold to brighten the dark interiors of their castles.
The subject of fishnets hanging on beachside posts was popular in part because it referred to a Chinese theme, “Fishing Village in Evening Glow,” that had been treated by East Asian artists and poets for centuries as part of the larger suite of subjects called “Eight Views of the Xiao and Xiang Rivers.” Here the fishnets frame a subtle story of seasonal change: moving from right to left, we see the new beach grasses of spring, which grow tall in the summer, go to seed and start to yellow in the fall, and then completely desiccate in the winter. These screens, and a very similar pair in the Imperial Household Collection in Tōkyō, have long been attributed to the Momoyama-period artist Kaihō Yūshō, but they bear neither a signature nor seals to confirm this attribution.
Ink, color and gold on paper
Overall: 66 1/6 x 148 1/2 in. (168.1 x 377.2 cm)
Image: 59 3/16 x 141 3/4 in. (150.3 x 360.0 cm)
This item is not on view
Carll H. de Silver Fund and Ella C. Woodward Memorial Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Yusho Kaiho (Japanese, 1533-1615). Drying Fishnets in the Four Seasons, ca. 1610. Ink, color and gold on paper, Overall: 66 1/6 x 148 1/2 in. (168.1 x 377.2 cm). Brooklyn Museum, Carll H. de Silver Fund and Ella C. Woodward Memorial Fund, 59.7.1. Creative Commons-BY (Photo: Brooklyn Museum, 59.7.1_SL3.jpg)
overall, 59.7.1_SL3.jpg. Brooklyn Museum photograph, 2014
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
One of a pair of six-panel screens, the other half being 59.7.2.
The screens depict fishnets draped across posts, among grasses along a sandy shoreline. The shore and clouds are represented in gold. The screens trace the four seasons, running from right to left, with short green grasses marking spring, taller grasses marking summer, browning grasses gone to seed indicating autumn, and snow indicating winter.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.