Modern Madonna

Like her contemporary Mary Cassatt, Bessie Potter Vonnoh favored young children and their mothers as subjects. In this bronze, a mother gazes fondly at the infant she holds close to her heart. Although the work is secular and contemporary in conception, both the theme and Vonnoh's title refer to one of the most powerful traditional religious images. Vonnoh's appealing groups of women and infants, small in scale and delicately modeled, found great favor with the public, particularly after an exhibition of her work at the Brooklyn Museum in 1913 brought her wider public recognition.