Striding Figure of a Kushite King
Egyptian, Classical, Ancient Near Eastern Art
On View: 19th Dynasty to Roman Period, Martha A. and Robert S. Rubin Gallery, 3rd Floor
Several iconographic details identify this statuette as a depiction of a Kushite king, including the double uraeus cobras on the brow and the tight-fitting skullcap adorned with concentric circles. The king's broad face typifies the style of Egyptian royal sculpture during the years of Nubian domination.
Possible Place Collected: Sudan
ca. 712-653 B.C.E.
late XXV Dynasty
Third Intermediate Period
4 13/16 x 1 1/8 x 1 3/4 in. (12.2 x 2.8 x 4.5 cm) (show scale)
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Egyptian. Striding Figure of a Kushite King, ca. 712-653 B.C.E. Bronze, 4 13/16 x 1 1/8 x 1 3/4 in. (12.2 x 2.8 x 4.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 81.184. Creative Commons-BY (Photo: Brooklyn Museum, CUR.81.184_wwg8.jpg)
installation, West Wing gallery 8 installation, CUR.81.184_wwg8.jpg
. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Bronze figure of a king represented striding with his left leg forward. The left arm is extended slightly before the left thigh with the hand held palm open and at a right angle to the body. The right arm, of which only the upper portion is preserved, would have been held in the elbow in the same position, or equally possible, bent at the elbow with the forearm and hand raised. In the latter instance, the right hand may have held a ritual vessel, and there are other bronzes of Kushite kings in such a pose. However, as the other arm of those figures is normally held at the side with the hand forming a fist, it may be more likely that our bronze has both hands in the position of the left hand to "hold" some cult instrument now missing. Such a pose would appear to be otherwise unattested in royal Kushite figures of bronze. The king wears a close-fitting cap adorned with concentric circles and, on the back of the neck, the wings of a falcon. A diadem encircles the cap, and two ribbons hang from the rear of the diadem. Two cobras, with hoods spread, rise from the front of the diadem, and their bodies coil over the crown of the head to descend over the rear of the diadem. The king also wears a broad-collar necklace and a shendyt-kilt. The figure strides atop a small, rectangular base-plate with the remains of a single tang descending from the bottom.
Condition: Right arm missing from just above the elbow. There is a large gash running across the left breast (just above the nipple) over onto the left shoulder. There is also a small nick on the right cheek and pitting in several areas (most notably the ears, one of the uraei, the arms, the rear of the kilt and the inside of the upper thighs). The tip of the nose shines from rubbing; the base-plate is warped. The bottom of the base is marked by lumps of corrosion and the remains of an adhesive.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.