Shabty of Psamtek
Egyptian, Classical, Ancient Near Eastern Art
On View: Funerary Gallery 2, Martha A. and Robert S. Rubin Gallery, 3rd Floor
The Egyptians manufactured funerary figurines, originally called shabties, as early as Dynasty 12 (1932–1759 B.C.E.). The earliest shabties are inscribed with either the deceased’s name (see nos. 1 and 2) or a simple form of Chapter 6 of the Book of the Dead. The rarity and high quality of the early shabties suggest that they were costly items produced for privileged persons.
Later, Chapter 6 began appearing more frequently on funerary figurines. The text mentions that they do agricultural tasks for the dead person: irrigating the fields, cultivating crops, and clearing away sand that blew in from the nearby desert.
As substitutes for the deceased, these figurines were sometimes given their own sarcophagi (see no. 6). To emphasize the agricultural function of the figurines, hoes and grain baskets were added to them (no. 8).
Wood (nos. 9–11), stone (nos. 12–14, 16), faience (no. 17), metal, and other materials were used beginning in Dynasty 18. By the end of the New Kingdom, statuettes for a single person were often mold-made by the hundreds and even thousands. Faience became the medium of choice, first in blue and later in light green or light blue (nos. 17, 20, 21).
7 5/16 x 1 7/8 x 1 1/8 in. (18.6 x 4.7 x 2.9 cm) (show scale)
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Shabty of Psamtek, 664-525 B.C.E. Faience, 7 5/16 x 1 7/8 x 1 1/8 in. (18.6 x 4.7 x 2.9 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.163E. Creative Commons-BY (Photo: Brooklyn Museum, CUR.37.163E_wwgA-3.jpg)
installation, West Wing gallery A-3 installation, CUR.37.163E_wwgA-3.jpg
. Brooklyn Museum photograph, 2005
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Faience Ushabti of Treasurer, Psametik called Ahmose, son of Bastet-iry-di-su. Stands on base with plinth. Inscription in eight rows around lower body. Mummiform, with hands only exposed, holding pick in left hand; a hor and the cord of a sack in right. Long braided beard has upturned end.
Condition: Intact. Glaze weathered to brown and white in spots.
This ushabti is one of a series 37.163E-.166E
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.