Shabty of Princess Muthotep
Egyptian, Classical, Ancient Near Eastern Art
The four faience shabties of Princess Muthotep show how some members of the royal family in the Twenty-second Dynasty adopted a practice formerly restricted to the less wealthy. Faience had become so closely associated with shabty manufacture that even a princess wanted shabties in this less expensive material.
ca. 1075-656 B.C.E.
Third Intermediate Period
3 3/4 x 1 1/4 x 1 in. (9.5 x 3.2 x 2.5 cm) (show scale)
Charles Edwin Wilbour Fund
[One of] four white glazed faience mummiform ushabtis of the Mistress of the House, Songstress of Amun, Muthotep. Belong with 37.137E and 37.139E.
This item is not on view
Shabty of Princess Muthotep, ca. 1075-656 B.C.E. Faience, 3 3/4 x 1 1/4 x 1 in. (9.5 x 3.2 x 2.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.208E. Creative Commons-BY (Photo: , 37.205E-.208E_front_PS2.jpg)
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.