On View: American Art Galleries, 5th Floor, The United States on the World Stage, 1865–1930
This painting exemplifies the artist's debt to the French Impressionist Claude Monet, whom Robinson befriended in Giverny, a small farming village northwest of Paris. Robinson used loose brushwork and thick daubs of pure color to capture the glistening effects of sunlight over the Giverny landscape. The white mill in the background appeared in several of Robinson's works, suggesting that he emulated Monet's practice of painting a single motif—such as haystacks—at different times of day and from different vantage points to explore changes in light and atmosphere.
Oil on canvas
17 15/16 x 21 11/16 in. (45.6 x 55.1 cm) (show scale)
Gift of George D. Pratt
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Theodore Robinson (American, 1852-1896). Willows, ca. 1892. Oil on canvas, 17 15/16 x 21 11/16 in. (45.6 x 55.1 cm). Brooklyn Museum, Gift of George D. Pratt, 14.550 (Photo: Brooklyn Museum, 14.550_SL1.jpg)
overall, 14.550_SL1.jpg. Brooklyn Museum photograph
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