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Cornflower

Egyptian, Classical, Ancient Near Eastern Art

On View: Egyptian Orientation Gallery, 3rd Floor
Amulets

In the New Kingdom, amulets represented magic in miniature form.


At that time, the Egyptians frequently wore amulets proclaiming their devotion to the cult of major deities such as Thoth, god of wisdom, or Hathor, an ancient goddess associated with music and love. These charms were intended to provide protection from specific dangers. Amulets of birth-gods, for example, were believed to protect women during pregnancy and childbirth and to watch over a newborn in the first years of life.

In the Eighteenth Dynasty, certain amulets began to be placed within mummy bandages to guarantee life after death. The most common included wedjat-eyes, signifying the restoration of wholeness; tyt-amulets, emblems of the goddess Isis, who restored her dead husband Osiris to life; and flowers, traditional symbols of fertility. Beads inscribed with a person’s name ensured that the memory of the individual would survive throughout eternity.

So-called heart scarabs, known since the Thirteenth Dynasty, are frequently found on New Kingdom mummies. The Egyptians believed that a deceased person’s fate would be determined by weighing his or her heart against the “Feather of Truth” on a divine balance. Texts carved on heart scarabs prevented the deceased’s heart from revealing anything negative during the weighing ritual.
MEDIUM Carnelian
  • Place Made: Egypt
  • DATES ca. 1539–1190 B.C.E.
    DYNASTY Dynasty 18 to Dynasty 20
    PERIOD New Kingdom
    DIMENSIONS 9/16 x 1/4 in. (1.4 x 0.7 cm)  (show scale)
    ACCESSION NUMBER 37.1462E
    CREDIT LINE Charles Edwin Wilbour Fund
    MUSEUM LOCATION This item is on view in Egyptian Orientation Gallery, 3rd Floor
    CAPTION Cornflower, ca. 1539–1190 B.C.E. Carnelian, 9/16 x 1/4 in. (1.4 x 0.7 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.1462E. Creative Commons-BY (Photo: Brooklyn Museum, 37.1462E_PS20.jpg)
    IMAGE overall, 37.1462E_PS20.jpg. Brooklyn Museum photograph, 2022
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    RIGHTS STATEMENT Creative Commons-BY
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