Fragment of Inscribed Door Lintel
Egyptian, Classical, Ancient Near Eastern Art
This relief comes from the element above the door of a tomb. It depicts the deceased and his wife receiving drink and lotus offerings from a priest. The daily opening of the lotus flower was a symbol of rebirth for the Egyptians.
Sandstone, traces of red paint
ca. 1292-1190 B.C.E.
14 3/8 x 25 x 5 in. (36.5 x 63.5 x 12.7 cm) (show scale)
This item is not on view
Charles Edwin Wilbour Fund
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Fragment of Inscribed Door Lintel, ca. 1292-1190 B.C.E. Sandstone, traces of red paint, 14 3/8 x 25 x 5 in. (36.5 x 63.5 x 12.7 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.1502E. Creative Commons-BY (Photo: Brooklyn Museum, 37.1502E_PS1.jpg)
overall, 37.1502E_PS1.jpg. Brooklyn Museum photograph, 2007
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Before a man is an offering table which supports a tall-necked vase and flowers. Opposite the table is a man wearing a long skirt, and holding up before him a piece of meat. Above the table are two columns of hieroglyphic text. By the man’s head is text, and also by his stomach. On the molding are traces of lines in red paint. There are also traces of red paint. There are also traces of red paint on the human figures, some of the object and hieroglyphs. There is a plain border under the scene (4.2 cm in height). The garment bear traces of white paint. The preserved part of the bottom edge is smooth; the other ends are ragged.
Condition: Only bottom of cavetto preserved; top of head of standing man missing; most of seated woman’s body missing; entire surface darkened.
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