Egyptian, Classical, Ancient Near Eastern Art
On View: Egyptian Orientation Gallery, 3rd Floor
Roman Period mummy portraits were painted on wooden panels that were slipped into the mummy wrappings over the face of the deceased. Often, as here, the artists used melted wax as a medium, building up thick layers of pigment and highlighting the facial features with touches of white. Although painted in the naturalistic tradition of the Greco-Roman world, these images are idealized representations of the deceased, and they were used in a traditional Egyptian funerary context. This woman's dress, hairstyle, and jewelry show the influence of fashions at the Roman imperial court and reflect a desire to be understood as Romanized. However, there is no way to know whether her heritage was Egyptian, Mediterranean, or mixed.
Encaustic on wood
ca. 150 C.E.
17 5/16 x 11 5/16 x 1/8 in. (44 x 28.7 x 0.3 cm) (show scale)
Gift of the Ernest Erickson Foundation, Inc.
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Noblewoman, ca. 150 C.E. Encaustic on wood, 17 5/16 x 11 5/16 x 1/8 in. (44 x 28.7 x 0.3 cm). Brooklyn Museum, Gift of the Ernest Erickson Foundation, Inc., 86.226.18 (Photo: Brooklyn Museum, 86.226.18_SL1.jpg)
overall, 86.226.18_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Panel painting on this wooden board, so-called Fayum painting, of a young woman with close-fitting black hair, pink skin, black eyebrows, dark brown eyes, red lips, gold earrings dressed in a white garment which is only summarily indicated. Strap over her right shoulder; background light blue-grey. Encaustic technique.
Condition: Wooden panel warped and split length-wise in several places; paint missing in numerous spots baring wood underneath. Some deposit of brownish foreign matter (like drips of mud) on hair and face primarily.
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