Hill Jar and Cover
On View: Asian Galleries, West, 2nd floor (China)
In ancient China, luxury objects were placed in tombs to represent the continuation of an ideal life after death. When brass objects could not be afforded, ceramic replicas were frequently used as less costly substitutes. This Han dynasty hill jar, for instance, named for the shape of its lid, was placed in a tomb as a replica of a ritual bronze vessel for serving wine.
The design of the jar is crisply molded into the wet clay, and the details all show clearly through the iridescent green glaze. Many mythological animals fill the mountain landscape, representing an important Daoist idea that mountains were the place to encounter the perfect beings and gods.
Earthenware with lead glaze
206 B.C.E.-220 C.E.
Purchase gift of Dr. Bertram H. Schaffner, Mr. and Mrs. Milton F. Rosenthal, Mr. and Mrs. Greg Fitz-Gerald, and Mr. and Mrs. Robert L. Poster, Helen Babbott Sanders Fund, Charles Stewart Smith Memorial Fund, Caroline A.L. Pratt Fund, and Caroline H. Polhemus Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Hill Jar and Cover, 206 B.C.E.-220 C.E. Earthenware with lead glaze, 11 1/2 x 8 3/4 in. (29.2 x 22.2 cm). Brooklyn Museum, Purchase gift of Dr. Bertram H. Schaffner, Mr. and Mrs. Milton F. Rosenthal, Mr. and Mrs. Greg Fitz-Gerald, and Mr. and Mrs. Robert L. Poster, Helen Babbott Sanders Fund, Charles Stewart Smith Memorial Fund, Caroline A.L. Pratt Fund, and Caroline H. Polhemus Fund, 1995.49a-b. Creative Commons-BY (Photo: Brooklyn Museum, 1995.49a-b_SL1.jpg)
overall, 1995.49a-b_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
The so-called Hill Jar is a well known type of Han dynasty tomb pottery. The present jar shows the typical form of a wide straight sided cylindrical body resting on three legs and covered with a conical top. The body is decorated with a continuous moulded frieze of wild animals and mythical beasts, including bears, boars, and the four directional animals of Chinese mythology (dragon, tiger, phoenix and a tortoise with a snake). On opposite sides of the vessel are two pushou handles, press moulded in low relief showing a stylized animal head holding a ring. There is an inscription moulded in clay body on one side of the jar. The first character reads ju. The second reads ma. The two seams joining the ends of the slab built body are clearly visible on each side of the vessel. The Three press-moulded and carved legs are in the form of grinning bears each clutching two bear cubs. The top is moulded and carved in the form of mountains around a central peak. The mountains are decorated in moulded relief with wild beasts and mythical animals. The top of the jar was fired upside down, allowing the glaze to run and collect at the tops of the mountain peaks.
Condition: The Hill Jar and cover are generally intact. On the cover, the glaze is chipped on the tops of three of the mountain peaks and there is a chip on one of the low relief animals. The underside of the vessel, the mouth rim and the rim of the cover all show kiln marks from firing n contact with other vessels. The nose of one bear on one of the legs has been chipped. Many areas of the glaze on the jar and the cover show a slight iridescence from burial. There are identical round adhesive dealer's labels on the bottom of the vessel and the inside cover.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.