Flood at Moret (Inondation à Moret)
In 1859 Oller studied in Charles Gleyre’s studio with Pierre-Auguste Renoir, Claude Monet, Alfred Sisley, and other future Impressionists. Oller and Sisley developed as artists along similar paths—both embraced plein air painting and captured fleeting effects of light and atmosphere with quick, broken brushstrokes—although Oller’s work in the 1870s was still more Realist than Impressionist.
Here, Sisley depicts the landscape of Moret on the river Loing. Oller often spent periods of time working in the outskirts of Paris with his colleagues and may well have visited Sisley there.
En 1859, Oller se formó en el taller de Charles Gleyre con Pierre-Auguste Renoir, Claude Monet, Alfred Sisley y otros futuros impresionistas. Oller y Sisley seguían caminos similares en su desarrollo como artistas: ambos adoptaron la pintura al aire libre y capturaron los efectos pasajeros de luz y atmósfera, con pincelazos rápidos y fragmentados, a pesar de que la obra de Oller en la década de 1870 era todavía más realista que impresionista.
En esta obra, Sisley representa el paisaje de Moret en el río Loing. Oller a menudo pasaba periodos de tiempo trabajando en las afueras de París con sus colegas y es muy probable que haya visitado a Sisley ahí.
Oil on canvas
21 1/4 x 28 1/4 in. (54 x 71.8cm)
Frame: 30 1/4 x 37 1/4 x 2 1/2 in. (76.8 x 94.6 x 6.4 cm) (show scale)
Signed lower right: "Sisley."
This item is not on view
Bequest of A. Augustus Healy
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Alfred Sisley (British, active France, 1839-1899). Flood at Moret (Inondation à Moret), 1879. Oil on canvas, 21 1/4 x 28 1/4 in. (54 x 71.8cm). Brooklyn Museum, Bequest of A. Augustus Healy, 21.54 (Photo: Brooklyn Museum, 21.54_colorcorrected_SL1.jpg)
overall, 21.54_colorcorrected_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.