The Calling of Saint Matthew (Vocation de Saint Mathieu)
Jesus further shows his acceptance of those rejected by society by inviting Matthew—a publican, or toll collector—into his ministry, as he passes his booth. Not only were these tax collectors considered unscrupulous, but they were also particularly loathed by devout Jews for their status as representatives of the ruling Romans. Tissot has included camels and the hint of a wide-arched gate to underscore Matthew’s location at a geographical (and perhaps, spiritual) crossroads, as well as adding an Eastern flourish.
After Christ calls Matthew to his teachings, he takes a meal in the home of his new disciple, an act that occasions the suspicion of devout passersby. In answer to questions of his motives, Jesus merely replies that, like a physician, he heals the sick, not the healthy.
Opaque watercolor over graphite on gray wove paper
Image: 10 1/4 x 6 5/8 in. (26 x 16.8 cm)
Sheet: 10 1/4 x 6 5/8 in. (26 x 16.8 cm)
Frame: 20 x 15 x 1 1/2 in. (50.8 x 38.1 x 3.8 cm) (show scale)
Signed bottom left: "J.J. Tissot"
This item is not on view
Purchased by public subscription
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
James Tissot (French, 1836-1902). The Calling of Saint Matthew (Vocation de Saint Mathieu), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 10 1/4 x 6 5/8 in. (26 x 16.8 cm). Brooklyn Museum, Purchased by public subscription, 00.159.91 (Photo: Brooklyn Museum, 00.159.91_PS1.jpg)
overall, 00.159.91_PS1.jpg. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.