The Voice from on High (La voix d'en haut)
Standing on a raised platform before the Court of the Gentiles outside the Temple, Jesus first considers asking God to save him from his impending sacrifice; but then, recognizing its necessity in the divine plan, he instead glorifies God’s name. The Lord responds from the heavens: some in the crowd hear thunder, others the voice of an angel. Jesus acknowledges his forthcoming death to those gathered.
With this image, Tissot again blends his interest in historical accuracy with a sense of mystery and wonder. He sets the scene in a very specific archaeological place: on a terrace elevated above the Court of Gentiles, noting that non-Jews were forbidden from this platform under pain of death. However, the artist also underscores the awe of the crowd as they hear the voice from on high—many cower as they look up at the sky with raised hands and wide eyes.
Opaque watercolor over graphite on gray wove paper
Image: 7 7/16 x 10 3/8 in. (18.9 x 26.4 cm)
Sheet: 7 7/16 x 10 3/8 in. (18.9 x 26.4 cm)
Frame: 15 x 20 x 1 1/2 in. (38.1 x 50.8 x 3.8 cm) (show scale)
Signed bottom right: "J.J. Tissot"
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Purchased by public subscription
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James Tissot (French, 1836-1902). The Voice from on High (La voix d'en haut), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 7 7/16 x 10 3/8 in. (18.9 x 26.4 cm). Brooklyn Museum, Purchased by public subscription, 00.159.203 (Photo: Brooklyn Museum, 00.159.203_PS2.jpg)
overall, 00.159.203_PS2.jpg. Brooklyn Museum photograph, 2007
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
The image is comprised of many layers of opaque watercolor. Graphite lines appear along the top and right edges, presumably as guidelines to cutting the piece down. It is mounted to a secondary support of cream-colored wove paper.
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