Jesus Leaves the Praetorium (Jésus quitte le pretoire)
Following his presentation to the crowds from the loggia, Jesus is taken from Pilate’s palace—at half past eleven in the morning, Tissot precisely notes—to the public square where he will be officially condemned to death. Made a figure of mockery, Jesus is forced to wear the crown of thorns as well as the short scarlet cloak and carries a reed, meant to evoke a royal scepter. Focusing on the injuries suffered by Jesus, Tissot also notes that, at every step, the woolen cloak would have either rubbed his wounds or stuck to them.
Although Tissot’s images are ordinarily opaquely, or thickly, painted and filled with a multitude of minute details, here he varies his technique noticeably in the rendering of the backlit figures at the top of the steps. These figures are summarily painted in washes so thin that the steps are visible through the leg of the man standing near the top of the staircase.
Opaque watercolor over graphite on gray wove paper
Image: 9 9/16 x 4 1/2 in. (24.3 x 11.4 cm)
Sheet: 9 9/16 x 4 1/2 in. (24.3 x 11.4 cm)
Frame: 20 x 15 x 1 1/2 in. (50.8 x 38.1 x 3.8 cm) (show scale)
Signed bottom right: "J.J. Tissot"
This item is not on view
Purchased by public subscription
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
James Tissot (French, 1836-1902). Jesus Leaves the Praetorium (Jésus quitte le pretoire), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 9 9/16 x 4 1/2 in. (24.3 x 11.4 cm). Brooklyn Museum, Purchased by public subscription, 00.159.273 (Photo: Brooklyn Museum, 00.159.273_PS2.jpg)
overall, 00.159.273_PS2.jpg. Brooklyn Museum photograph, 2007
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.