Bahram Gur Visits the Dome of Piruza on Wednesday, Page from the Haft paykar (Seven Portraits), from a manuscript of the Khamsa (Quintet) of Nizami (d. 1209)
Arts of the Islamic World
The Haft Paykar, or Seven Portraits, is the fourth of the five narrative poems of the Khamsa of Nizami, and tells the story of the legendary fifth-century Sasanian king Bahram Gur. The tale is believed to contain the poet’s own views on love and emphasizes the importance of self-knowledge. Raised at the court of an Arab king, Bahram Gur one day found his way into a locked palace room, where he encountered seven portraits of seven princesses representing the seven climes of antiquity. After becoming king, Bahram Gur took these “seven beauties” as brides and built each a domed pavilion. He visited each of his brides on successive days of the week, dressed in robes that matched the color associated with each pavilion. In this painting, Bahram Gur wears a blue robe and is seated in the Turquoise Pavilion of Princess Piruza (Persian for “turquoise”).
Opaque watercolor, ink, and gold on paper
10 1/8 x 5 11/16 in. (25.7 x 14.5 cm) (show scale)
This item is not on view
Nizami. Bahram Gur Visits the Dome of Piruza on Wednesday, Page from the Haft paykar (Seven Portraits), from a manuscript of the Khamsa (Quintet) of Nizami (d. 1209), 16th century. Opaque watercolor, ink, and gold on paper, 10 1/8 x 5 11/16 in. (25.7 x 14.5 cm). Brooklyn Museum, By exchange, 36.273.2 (Photo: Brooklyn Museum, 36.273.2_PS2.jpg)
overall, 36.273.2_PS2.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.