The Equestrienne (L'Amazone)
In the mid-nineteenth century, the term amazone mockingly referred to fashionable Parisian women who preferred to ride on horseback instead of inside a carriage, and wore elegant costumes while doing so. Édouard Manet, a committed observer of Parisian life, was particularly attuned to the fashions of the era, often taking as his subject the leisure activities of modern urban women. In this watercolor, he used loose, rapid brushstrokes to form the rider’s light brown jacket, black skirt and bow tie, and jaunty boaterlike hat. The brilliant ultramarine background and stark white of untouched paper suggest a moment of sunlit stillness before she sets off.
Titus Kaphar: Let’s be absolutely clear about this. The Impressionists of their time, these guys are on stipends from Mom and Dad, allowing them to go out and paint. They lived an incredibly privileged life that is an exception to most people’s experience as artists in the world. Mom and Dad are not paying for you to live in some fancy apartment and paying for your models to come in and paying for your assistants and all of this other stuff.
Watercolor and graphite on tan wove paper
8 3/16 x 10 5/8 in. (20.8 x 27 cm)
Frame: 16 3/8 x 21 1/4 x 1 1/2 in. (41.6 x 54 x 3.8 cm) (show scale)
Signed lower right: "E Manet"
This item is not on view
Gift of Frank L. Babbott
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Édouard Manet (French, 1832-1883). The Equestrienne (L'Amazone), ca. 1875-1876. Watercolor and graphite on tan wove paper, 8 3/16 x 10 5/8 in. (20.8 x 27 cm). Brooklyn Museum, Gift of Frank L. Babbott, 23.45 (Photo: Brooklyn Museum, 23.45_reference_SL1.jpg)
overall, 23.45_reference_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.