Saint Francis of Assisi, part of an altarpiece

Bartolomeo Vivarini

Brooklyn Museum photograph

Object Label

The Vivarini brothers, Bartolomeo and Antonio, were significant figures in Venetian painting of the second half of the fifteenth century. This image was part of a larger polyptych (or multi-panel work) whose other elements have not been identified. Active in the early thirteenth century, Saint Francis made a great contribution not only to the reform of monastic practice, but also to the evolving concept of Christianity as a force for compassion in human life. He is typically shown, as here, with the plain brown robe and bare feet of the mendicant (or almsseeking) friar. Here he also displays, on his hand, foot, and barely visible chest, the marks of the Stigmata, the five wounds of Christ on the Cross, which the saint was said to have received in a moment of mystic revelation.

Caption

Bartolomeo Vivarini (Italian, School of Venice, active 1450–1491). Saint Francis of Assisi, part of an altarpiece, ca. 1460. Tempera and tooled gold on poplar panel, 51 3/8 × 15 1/2 in. (130.5 × 39.4 cm) frame: 58 × 22 1/2 × 4 in. (147.3 × 57.2 × 10.2 cm). Brooklyn Museum, Gift of Frank L. Babbott, 25.56. (Photo: Brooklyn Museum)

Gallery

Not on view

Title

Saint Francis of Assisi, part of an altarpiece

Date

ca. 1460

Geography

Place made: Italy

Medium

Tempera and tooled gold on poplar panel

Classification

Painting

Dimensions

51 3/8 × 15 1/2 in. (130.5 × 39.4 cm) frame: 58 × 22 1/2 × 4 in. (147.3 × 57.2 × 10.2 cm)

Credit Line

Gift of Frank L. Babbott

Accession Number

25.56

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