In Danger

Hendrik Willem Mesdag

Brooklyn Museum photograph

Object Label

Hendrik Willem Mesdag and his counterparts in the Hague School—so named for the Dutch city where they lived and worked—painted in the open air, capturing the distinctive landscapes and seascapes of the Netherlands. For the Dutch, who relied heavily on fishing and overseas trade, marine scenes proved extremely appealing subjects. Mesdag shows a small ship with wind-torn sails, tossed by massive, white-capped waves. The broad expanse of churning water, almost matching the tone of the sky, dramatizes the overwhelming power of the sea.

Caption

Hendrik Willem Mesdag (Dutch, 1831–1915). In Danger, ca. 1895. Oil on canvas, 35 13/16 × 49 7/16 in. (91 × 125.6 cm) frame: 51 × 64 3/4 × 4 in. (129.5 × 164.5 × 10.2 cm). Brooklyn Museum, Gift of Mrs. James Quinlan in memory of her husband, 26.604. (Photo: Brooklyn Museum)

Gallery

Not on view

Title

In Danger

Date

ca. 1895

Geography

Place made: Europe

Medium

Oil on canvas

Classification

Painting

Dimensions

35 13/16 × 49 7/16 in. (91 × 125.6 cm) frame: 51 × 64 3/4 × 4 in. (129.5 × 164.5 × 10.2 cm)

Signatures

Signed lower right: "H W. Mesdag"

Credit Line

Gift of Mrs. James Quinlan in memory of her husband

Accession Number

26.604

Frequent Art Questions

  • What period is this from?

    It is from the late 19th century; curators estimate the date at 1895. The artist, Hendrik Willem Mesdag, was among a group of Dutch painters known as the Hague School, who worked in that city from about 1870 to 1900. Their work is Realist in style and they were especially influenced by earlier French Realist landscape painters known as the Barbizon School (c. 1830s-1870s), as well as by the 17th-century Dutch landscape tradition. Unlike other Realist painters of the period, these artists preferred to emphasize a particular tone in their painting, which earned them the nickname of the ‘Grey school’.
    Mesdag really chose his colors and his composition to create a mood so this painting also has a distinct Romantic quality. But he was also a careful and direct observer of nature. He painted this storm from sketches he made on-site on the beach near the Hague. The line between the Romantic era and the beginning of Realism isn't always clear. Often times movements don't end so 'neat and tidy' but blur together during times of transitions.
  • I don’t know anything about Mesdag. But I like In Danger. It reminds me of Winslow Homer. What can you tell me about him?

    Hendrik Willem Mesdag, was among a group of Dutch painters known as the Hague School, who worked in that city from about 1870 to 1900. Their work is Realist in style and they were especially influenced by earlier French Realist landscape painters known as the Barbizon School (c. 1830s-1870s), as well as by the 17th-century Dutch landscape tradition.
    Unlike other Realist painters of the period, these artists preferred to emphasize a particular tone in their painting, which earned them the nickname of the ‘Grey school’.
    Very interesting. Thanks!

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