Here Comes the Bogey-Man (Que viene el Coco)
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Object Label
The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) that produces monsters. This idea reappears later in the exhibition in Robert Longo’s work.
Caption
Francisco de Goya y Lucientes (Spanish, 1746–1828). Here Comes the Bogey-Man (Que viene el Coco), 1797–1798. Etching and aquatint on laid paper, Sheet: 11 15/16 x 7 15/16 in. (30.3 x 20.2 cm) Other (Plate): 8 5/8 x 6 1/16 in. (21.9 x 15.4 cm) Image: 7 5/8 x 5 5/16 in. (19.4 x 13.5 cm). Brooklyn Museum, A. Augustus Healy Fund, Frank L. Babbott Fund, and Carll H. de Silver Fund, 37.33.3.
Gallery
Not on view
Gallery
Not on view
Title
Here Comes the Bogey-Man (Que viene el Coco)
Portfolio
Date
1797–1798
Geography
Place made: Spain
Medium
Etching and aquatint on laid paper
Classification
Dimensions
Sheet: 11 15/16 x 7 15/16 in. (30.3 x 20.2 cm) Other (Plate): 8 5/8 x 6 1/16 in. (21.9 x 15.4 cm) Image: 7 5/8 x 5 5/16 in. (19.4 x 13.5 cm)
Inscriptions
Upper right in plate: "P. 3"; lower center in plate: "Que biene el Coco." Verso upper left in graphite: "37.33-3"
Markings
Verso stamped upper left: "BROOKLYN MUSEUM/BROOKLYN, N.Y." in rectangle (Lugt 307b)
Credit Line
A. Augustus Healy Fund, Frank L. Babbott Fund, and Carll H. de Silver Fund
Accession Number
37.33.3
Frequent Art Questions
How did Francisco de Goya y Lucientes die?
Goya died of a stroke in 1828 in Bordeaux, France at the age of 82.Interestingly, two of the print series that he created were not published until well after his death, in the 1860s, because they were so politically controversial when he made them.That's heartbreaking.
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