It Is Nicely Stretched (Bien tirada está)
Francisco de Goya y Lucientes
The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museum’s rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values of early modern Spanish society; the second focuses on bizarre and macabre imagery.
The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) that produces monsters. This idea reappears later in the exhibition in Robert Longo’s work.
Etching, aquatint, and drypoint on laid paper
Sheet: 11 13/16 x 7 15/16 in. (30 x 20.2 cm)
Other (Plate): 8 9/16 x 6 in. (21.7 x 15.2 cm)
Image: 7 3/8 x 5 in. (18.7 x 12.7 cm) (show scale)
Verso stamped upper left: "BROOKLYN MUSEUM/BROOKLYN, N.Y." in rectangle (Lugt 307b)
Upper right in plate: "17."; lower center in plate: "Bien tirada esta."
Verso upper left in graphite: "37.33-17"
This item is not on view
A. Augustus Healy Fund, Frank L. Babbott Fund, and Carll H. de Silver Fund
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Francisco de Goya y Lucientes (Spanish, 1746-1828). It Is Nicely Stretched (Bien tirada está), 1797-1798. Etching, aquatint, and drypoint on laid paper, Sheet: 11 13/16 x 7 15/16 in. (30 x 20.2 cm). Brooklyn Museum, A. Augustus Healy Fund, Frank L. Babbott Fund, and Carll H. de Silver Fund, 37.33.17 (Photo: , 37.33.17_PS9.jpg)
overall, 37.33.17_PS9.jpg., 2017
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.