The Wave (La Vague)
Gustave Courbet
European Art
This is one of several paintings focusing on cresting waves that Gustave Courbet made in Normandy. The paintings were radical for their anti-picturesque subject and their technique. Referencing his use of a palette knife to slather paint on the canvas in thick strokes, some critics thought the artist’s waves were too solid—too much like undisguised paint—to represent water. Paul Cézanne, who admired Courbet, noted that he “slapped paint on the way a plasterer slaps on stucco.” Popular caricaturists lampooned Courbet’s method.
Author Guy de Maupassant described witnessing Courbet at work on one of his wave paintings in his Étretat studio in 1869: “In a great room a fat, dirty, greasy man was spreading patches of white paint onto a big bare canvas with a kitchen knife. . . . He went and pressed his face against the windowpane to look at the storm. . . . . On the mantelpiece was a bottle of cider. . . . Every now and then Courbet would drink a mouthful and then go back to his painting.”
MEDIUM
Oil on canvas
DATES
ca. 1869
DIMENSIONS
25 3/4 x 34 15/16 x 3in. (65.4 x 88.7 x 7.6cm)
frame: 32 1/4 x 41 x 3 in. (81.9 x 104.1 x 7.6 cm)
(show scale)
SIGNATURE
Signed lower left: "G. Courbet."
ACCESSION NUMBER
41.1256
CREDIT LINE
Gift of Mrs. Horace O. Havemeyer
PROVENANCE
Prior to 1882, provenance not yet documented; before 1882, acquired by Emil Monteaux of Paris, France; March 10, 1884, sold at Hôtel Drouot, Paris, Vente Monteaux lot 11; between 1884 and 1902, provenance not yet documented; before 1902, possibly acquired by Ernst May of Paris; before 1902, acquired by Georges Lutz of Paris; May 26-27, 1902, purchased at Galerie Georges Petit, Paris, Georges Lutz sale lot 39, by M. Prayer; between 1902 and 1912, provenance not yet documented; by 1912, acquired by Jean Dollfus of Paris; March 2, 1912, purchased at Galerie George Petit, Paris, Vente Dollfus lot 24 by Henry Osborne Havemeyer and Louisine Waldron Elder Havemeyer of New York, NY through Durand-Ruel, New York; 1929, inherited from Louisine Havemeyer by Horace Havemeyer and Doris A. Dick Havemeyer (Mrs. Horace Havemeyer); January 8, 1942, gift of Doris Havemeyer to the Brooklyn Museum.
Provenance FAQ
MUSEUM LOCATION
This item is not on view
CAPTION
Gustave Courbet (French, 1819–1877). The Wave (La Vague), ca. 1869. Oil on canvas, 25 3/4 x 34 15/16 x 3in. (65.4 x 88.7 x 7.6cm). Brooklyn Museum, Gift of Mrs. Horace O. Havemeyer, 41.1256 (Photo: Brooklyn Museum, 41.1256_PS9.jpg)
IMAGE
overall, 41.1256_PS9.jpg. Brooklyn Museum photograph, 2015
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What can we learn about this piece? As a surfer I am always drawn to maritime art
Gustave Courbet was a major French artist of the mid- to later-19th centuries. Here Courbet emphasizes the raw power of the elements -- the breaking waves and the stormy sky. He was not just interested in nature's peaceful, picturesque side, but in its violent and unbridled aspect!
In everything he painted -- including human bodies as well as seascapes -- he was fully invested in realism. He didn't believe in idealizing anything for the sake of art, and he only painted things that he could observe directly.
He painted this picture in 1869 while staying at Etretat, on the Normandy coast of France, along the English Channel.
According to Sarah Faunce and Linda Nochlin, curators of an important retrospective on the artist held at the Brooklyn Museum in 1988: "Water was an element to which Courbet was particularly responsive and, as an avid swimmer, one that he could not only paint but immerse himself in totally. Here, he faces his subject head on, identifying with the force of nature to a remarkable degree, indeed almost making the roar of the sea stand as a metaphor for personal freedom."