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The Wave (La Vague)

Gustave Courbet

European Art

On View: European Art Galleries, 5th floor
This is one of several paintings focusing on cresting waves that Gustave Courbet made in Normandy. The paintings were radical for their anti-picturesque subject and their technique. Referencing his use of a palette knife to slather paint on the canvas in thick strokes, some critics thought the artist’s waves were too solid—too much like undisguised paint—to represent water. Paul Cézanne, who admired Courbet, noted that he “slapped paint on the way a plasterer slaps on stucco.” Popular caricaturists lampooned Courbet’s method.

Author Guy de Maupassant described witnessing Courbet at work on one of his wave paintings in his Étretat studio in 1869: “In a great room a fat, dirty, greasy man was spreading patches of white paint onto a big bare canvas with a kitchen knife. . . . He went and pressed his face against the windowpane to look at the storm. . . . . On the mantelpiece was a bottle of cider. . . . Every now and then Courbet would drink a mouthful and then go back to his painting.”
MEDIUM Oil on canvas
  • Place Made: France
  • DATES ca. 1869
    DIMENSIONS 25 3/4 x 34 15/16 x 3in. (65.4 x 88.7 x 7.6cm) frame: 32 1/4 x 41 x 3 in. (81.9 x 104.1 x 7.6 cm)  (show scale)
    SIGNATURE Signed lower left: "G. Courbet."
    COLLECTIONS European Art
    ACCESSION NUMBER 41.1256
    CREDIT LINE Gift of Mrs. Horace O. Havemeyer
    MUSEUM LOCATION This item is on view in European Art Galleries, 5th floor
    CAPTION Gustave Courbet (French, 1819-1877). The Wave (La Vague), ca. 1869. Oil on canvas, 25 3/4 x 34 15/16 x 3in. (65.4 x 88.7 x 7.6cm). Brooklyn Museum, Gift of Mrs. Horace O. Havemeyer, 41.1256 (Photo: Brooklyn Museum, 41.1256_PS9.jpg)
    IMAGE overall, 41.1256_PS9.jpg. Brooklyn Museum photograph, 2015
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