Power Figure (Nkishi)
Arts of Africa
On View: African Storage Annex, East Gallery, 1st Floor
While Western collectors value the visual impact of power figures, the ultimate importance of these sculptures to the Songye lies in their effectiveness as protectors of the community from malevolent forces and disease. The power of such figures depends on their ingredients (bishimba), concealed in the abdominal cavity, in the top of the head, or in a horn set into the cranium (missing from this piece). These hidden substances acquire potency and interact with the spirit world when assembled by the nganga, or ritual practitioner.
Wood, raffia, metal, cloth, leather, horn, beads
late 19th or early 20th century
30 x 12 x 14 3/4 in. (76.2 x 30.5 x 37.5 cm)
Museum Collection Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Songye. Power Figure (Nkishi), late 19th or early 20th century. Wood, raffia, metal, cloth, leather, horn, beads, 30 x 12 x 14 3/4 in. (76.2 x 30.5 x 37.5 cm). Brooklyn Museum, Museum Collection Fund, 50.79. Creative Commons-BY (Photo: Brooklyn Museum, 50.79_threequarter_PS1.jpg)
3/4, 50.79_threequarter_PS1.jpg. Brooklyn Museum photograph, 2007
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Wooden figure with large head, protruding abdomen and no visible feet. The arms are at sides, hands holding belly. The figure is covered with numerous additions: a bandana-style headdress of animal skins hangs down the neck. A rope with amulets circles the head, while the neck holds five bands of various materials and thicknesses. One of these supports two interlocked rings: one of metal, the other a doughnut shaped padded leather (?) ring. The chest is surrounded by five thin twisted ropes. A voluminous skirt covers the lower torso. Many-layered cloth and leather strips, wooden dowels and a metal bell are suspended from a heavy, twisted belt. The front of the torso shows two thin metal rectangles protecting materials inside the abdominal cavity. They are nailed into place. The same technique is used on the face to decorate the nose and forehead. Tooled leather (?) strips decorate cheek and chin. Eyebrows are outlined with nail heads above large heavy-lidded eyes. The pursed mouth shows protruding organic material.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.