Running Stream at San Cosimato
Jean-Joseph-Xavier Bidauld
European Art
On View:
Bidauld earned a place among the pioneers of openair painting with a five-year stint working in the hidden corners of the Italian countryside during the 1780s. Rivers and streams offered an opportunity to study the contrast between the rough-edged rocks lining riverbeds and those worn smooth by centuries of running waters. These subjects posed a favorite challenge: capturing the constant motion of powerfully churning rapids and delicately swirling eddies. Here, Bidauld loaded a fine brush with white paint to convey the froth of the teeming waters, lending unexpected texture to an otherwise highly finished surface.
MEDIUM
Oil on paper laid down on canvas
DATES
1788
DIMENSIONS
12 1/4 × 19 5/8 in. (31.1 × 49.8 cm)
12 3/8 × 19 11/16 in. (31.5 × 50 cm)
frame: 18 × 25 1/4 × 3 1/4 in. (45.7 × 64.1 × 8.3 cm)
(show scale)
SIGNATURE
Signed bottom left: "Bidauld/1788"
INSCRIPTIONS
Verso: "Le Tesserone, à St. Cosimato/payé à M. Bidauld/deux milles Francs/en 1830/Lg."
ACCESSION NUMBER
1996.93
CREDIT LINE
A. Augustus Healy Fund and Healy Purchase Fund B
MUSEUM LOCATION
This item is not on view
CAPTION
Jean-Joseph-Xavier Bidauld (French, 1758–1846). Running Stream at San Cosimato, 1788. Oil on paper laid down on canvas, 12 1/4 × 19 5/8 in. (31.1 × 49.8 cm). Brooklyn Museum, A. Augustus Healy Fund and Healy Purchase Fund B, 1996.93 (Photo: Brooklyn Museum, 1996.93_SL3.jpg)
IMAGE
overall, 1996.93_SL3.jpg. Brooklyn Museum photograph, 2015
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This is amazing, I can feel the movement.
That water is really surging around the rocks. You can feel the current!
Jean-Joseph-Xavier Bidauld dedicated himself to landscape painting in his career, and he worked in France and Italy. One of his patrons was Napoleon, not bad, right?