Hopi Corn Dance
Arts of the Americas
This colorful and intricate composition by Louis Lomayesva depicts the performers of the Hopi Corn Dance. The eight dancers in the foreground wear ritual clothing with highly detailed woven designs. A group of men stands nearby, including a figure who beats a hide-covered drum. The background is omitted to focus attention on Native American life and traditions.
Watercolor on paper
15 15/16 x 21 15/16 in. (40.5 x 55.7 cm) (show scale)
Dick S. Ramsay Fund
Louis Lomayesva (also known as Lewis Lomay) depicts the dancers and drummers of the Hopi Corn Dance. Representing life, corn is the most important symbol for the Hopi. Like many of his contemporary Native American watercolorists, Lomayesva omitted the background in his images, thereby emphasizing the figures while adding a timeless quality. At the same time, his paintings mirror reality, as seen in the fine details of the woven designs on the dancers' shawls and belts.
Native American watercolor painting, depicting scenes from everyday life and ceremonial dances, arose in the 1920s, stimulated by growing interest among white patrons. Drawing from a long tradition of painted hides, pottery, and wall murals, artists incorporated Native painting styles with the European-derived medium of watercolor to create a new Native American art form. At the heart of this movement were various self-taught artists from the southwestern United States, particularly from Hopi and Pueblo cultures. In 1930 the Brooklyn Museum was one of the first museums in the country to feature an exhibition of watercolors by Native American painters from the Southwest.
This item is not on view
Louis Lomayesva (Hopi Pueblo, 1916-1996). Hopi Corn Dance, 1930s. Watercolor on paper, 15 15/16 x 21 15/16 in. (40.5 x 55.7 cm). Brooklyn Museum, Dick S. Ramsay Fund, 40.90. Creative Commons-BY (Photo: Brooklyn Museum Photograph, 40.90_PS20.jpg)
overall, 40.90_PS20.jpg. Brooklyn Museum Photograph, 2022
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