An Emaciated Horse

Indian

1 of 2

Object Label

In Sufi poetry, the ego is often represented by the metaphor of a horse (as seen here) that is starved and humiliated, suggesting the training necessary to transport its rider (the soul) to the desired destination. This theme, which was meant to remind viewers that the physical world is transient while the soul is eternal, was a popular subject in sixteenth-century Iran and seems to have spread to India in the seventeenth century. It may have been inspired by similar depictions in China, where the image of the horse was often used to represent humans and their behavior. Such images probably reached the Islamic world after the Mongol invasions of the thirteenth century.

Caption

Indian. An Emaciated Horse, mid 17th century. Ink and light color wash on paper, sheet: 2 13/16 x 4 9/16 in. (7.1 x 11.6 cm) image: 2 7/8 x 3 15/16 in. (7.3 x 10.0 cm). Brooklyn Museum, Gift of Mrs. George Dupont Pratt, 40.372. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

Asian Art

Culture

Indian

Title

An Emaciated Horse

Date

mid 17th century

Geography

Possible place made: Deccan, India, Possible place made: Northern region, India

Medium

Ink and light color wash on paper

Classification

Painting

Dimensions

sheet: 2 13/16 x 4 9/16 in. (7.1 x 11.6 cm) image: 2 7/8 x 3 15/16 in. (7.3 x 10.0 cm)

Credit Line

Gift of Mrs. George Dupont Pratt

Accession Number

40.372

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