Untitled (Guanaroca [First Woman])
Elizabeth A. Sackler Center for Feminist Art
Ana Mendieta: Place and Presence
Before graduating from the University of Iowa in 1972, Ana Mendieta had already embarked upon her unique practice of blending photography, body art, earth art, and performance art as she addressed the emergence of feminism and her experience as a Cuban exile.
For her iconic Silueta series, Mendieta placed her body in the landscape, using materials such as crushed flowers, sculpted mud, or ignited gunpowder to literally inscribe her silhouette, and then documented the ephemeral results through photographs and films. Returning to Cuba in 1980 and 1981, she continued to trace female forms on the ground, as in the pieces executed on the beach in Guanabo. She also began carving fertility figures into the caves and cliffs of her native land, which she called Rupestrian Sculptures. Many of these, such as the large Untitled (Guanaroca [First Woman]), were named after indigenous goddesses, simultaneously serving as political and personal assertions of Mendieta’s presence and identity, as well as reminders of ancient traditions of goddess worship.
Gelatin silver photograph
53 1/2 x 39 1/2 in. (135.9 x 100.3 cm) (show scale)
This item is not on view
Edition: 1/3 Posthumous print
Gift of Stephanie Ingrassia
© The Estate of Ana Mendieta
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
If you wish to contact the rights holder for this work, please email firstname.lastname@example.org
and we will assist if we can.
Ana Mendieta (American, born Cuba, 1948-1985). Untitled (Guanaroca [First Woman]), 1981/1994. Gelatin silver photograph, 53 1/2 x 39 1/2 in. (135.9 x 100.3 cm). Brooklyn Museum, Gift of Stephanie Ingrassia, 2007.15. © artist or artist's estate (Photo: Photograph courtesy of Galerie Lelong, New York, CUR.2007.15.jpg)
. Photograph courtesy of Galerie Lelong, New York, 2008
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Black and white photograph of carved cave Cueva del Aguila, Escaleras de Jaruco, Havana.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.