Man Holding a Pomegranate
Arts of the Islamic World
Ink, watercolor, and gold on paper
AH 1028 / 1618 CE
Signed: "Reza Abbasi, 1028 A.H." (1618 C.E.)
This item is not on view
Gift of the Ernest Erickson Foundation, Inc.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Man Holding a Pomegranate, AH 1028 / 1618 CE. Ink, watercolor, and gold on paper, 12 5/8 x 8 1/4in. (32.1 x 21cm). Brooklyn Museum, Gift of the Ernest Erickson Foundation, Inc., 86.227.163 (Photo: Brooklyn Museum, 86.227.163.jpg)
overall, 86.227.163.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
This drawing consists of the most popular formula in the single-male figure category: the isolated image of a middle-aged man seated in a contemplative mood in an outdoor setting. (Swietochowskhi, Cat. no. 30). The formula includes the offering of a fruit, a cup, a book, or other objects. Here the bearded man is holding a pomagranate in his left hand. His right hand rests on the ankle of his left leg. He sits on what appears to be a large scarf or cloak and wears a turban on his head. Next to him is a waterpipe, to his left is a rock projection from which a bush extends. Behind him and to his left is a tree, which stretches upwards to the top right corner of the drawing. The tree is flowering with yellow leaves. I nthe topoe left corner are swirling Chinese type clouds. The lsight color in the dreawing is a reddish pink: in part of the man's robe, around the rocks and base of the tree; the pomegranate; and what is either a book or a letter at the bottom of the drawing near the folded legs of the seated figure. His turban is painted white, the sash around his waist is blue and the cloak on which he sits is yellow like the leaves on the tree.
The drawing is framed with a border of gold and set onto a gold specked blue paper. The blue paper is framed with gold lines which is set on a lighter blue paper with a gold leaf design. It is possible that the drawing belonged to an album. The drawing itself might have been cut down and it seems to have been varnished. There is a signature and date in the lower left corner, signed "Reza Abbasi" and dated 1028 A.H. / 1618 C.E.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.