Top of an Arch with a Nymph Riding a Sea Monster
Egyptian, Classical, Ancient Near Eastern Art
In pagan Egyptian tombs, the deceased was often identified with suitable figures in Greco-Roman mythology. This was particularly apparent in the relief decoration of arches designed to curve out and over the heads of visitors to the public part of the tomb. Like the fragmentary examples here, they might show the god of the Nile to recall an authoritative family man, or a nymph to symbolize a young woman. Some wall reliefs, such as the example here showing Hercules as a mature hero, probably served the same commemorative purpose.
Limestone, traces of paint
5th-6th century C.E.
Late Antique Period
18 1/8 x 31 1/8 x 14 3/8 in. (46 x 79 x 36.5 cm) (show scale)
This item is not on view
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Coptic. Top of an Arch with a Nymph Riding a Sea Monster, 5th-6th century C.E. Limestone, traces of paint, 18 1/8 x 31 1/8 x 14 3/8 in. (46 x 79 x 36.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 41.1226. Creative Commons-BY (Photo: Brooklyn Museum, 41.1226.jpg)
overall, 41.1226.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.