Frieze of Animals in Plant Scrolls
Egyptian, Classical, Ancient Near Eastern Art
By the time this frieze of animals was carved in the fourth century C.E., most Egyptians were Christians and had adopted a biblical view of animals as subordinate to humans. Though animals continued to play an important role in decoration and symbolism, there was no place for animals with souls in Christian thinking.
4th century C.E.
Roman and Byzantine Periods
14 3/8 x 50 3/16 x 4 5/8 in., 131 lb. (36.5 x 127.5 x 11.7 cm, 59.42kg) (show scale)
This item is not on view
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Coptic. Frieze of Animals in Plant Scrolls, 4th century C.E. Limestone, pigment, 14 3/8 x 50 3/16 x 4 5/8 in., 131 lb. (36.5 x 127.5 x 11.7 cm, 59.42kg). Brooklyn Museum, Charles Edwin Wilbour Fund, 41.1266. Creative Commons-BY (Photo: Brooklyn Museum, 41.1266_SL1.jpg)
overall, 41.1266_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.