Arts of the Americas
On View: Great Hall, Southeast, 1st floor
Wool cloth, elk teeth,(or teeth carved from horn) silk ribbon, brass and tin sequins
late 19th-early 20th century
Charles Stewart Smith Memorial Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Sioux. Dress, late 19th-early 20th century. Wool cloth, elk teeth,(or teeth carved from horn) silk ribbon, brass and tin sequins, 49 5/8 x 36 1/4 in. (126 x 92.1 cm). Brooklyn Museum, Charles Stewart Smith Memorial Fund, 46.96.13. Creative Commons-BY (Photo: Brooklyn Museum, 46.96.13.jpg)
overall, 46.96.13.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Dark blue wool cloth dress with three bands of ribbon trim in red and white along the bottom hem and sleeves. Individual teeth are tied in a yoke pattern on the front and back of the dress. The dress has rows and circles of brass and tin sequins on the skirt. Purple, ribbed silk binds the neck. The bottom hem has a geometric cut edge so that it dips lower on each side than the front and back, a reference to historical hide dresses where the legs of the animal would be kept and oriented to the sides of the dress.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.