Woman's Beaded Dress
Arts of the Americas
Buckskin, glass beads, metal coins
late 19th century
This item is not on view
Museum Collection Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Yakama (Native American). Woman's Beaded Dress, late 19th century. Buckskin, glass beads, metal coins, 46 x 45 1/2 in. (116.8 x 115.6 cm). Brooklyn Museum, Museum Collection Fund, 46.181. Creative Commons-BY (Photo: Brooklyn Museum, 46.181.jpg)
overall, 46.181.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
This Yakama dress was part of the Louis Comfort Tiffany art collection exhibited in a special Native American gallery in Laurelton Hall, his Long Island home. Tiffany was especially interested in collecting Native American baskets, totem poles, pottery, and dresses from peoples of the Plains and Northwest Coast regions. The elaborate bodice, although heavy, belies its bulk with the gracefulness of the shoulders and the wing forms for the sleeves. The curvature of the dress shape emphasizes the swaying of the fringe that would occur as the woman moved in the dress.
Overall, the dress is in stable condition. The skin remains strong enough to support its beaded bodice. There were 6 bead-string breaks that were restrung onto cotton thread and stitched back into the dress by Conservation. The original vegetable fiber strings remain tucked away into the dress for research purposes. Special care is needed whenever handling this dress because of the fragility of the remaining vegetable fibers that hold the bead arrangements together.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.