Saddle or Child's Blanket
Arts of the Americas
On View: American Art Galleries, 5th Floor, The United States on the World Stage, 1865–1930
The Navajo wove waterproof wool blankets such as this small version, probably made for a child or as a saddle blanket. In 1863 the U.S. Army forcibly removed the Navajo from Arizona to Bosque Redondo detention camp in New Mexico and killed the tribe’s churro sheep. Ingenious weavers combined commercial wool with unraveled, non-Native red flannel to create new designs with colorful details, as seen here. During captivity, weaving became the primary source of income. In 1868 the Navajo returned to their homelands, and weaving flourished with the advent of the railroad and the establishment of trading posts.
Henry L. Batterman Fund and the Frank Sherman Benson Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Navajo (Native American). Saddle or Child's Blanket, 1875-1880. Wool, dye, 30 x 51in. (76.2 x 129.5cm). Brooklyn Museum, Henry L. Batterman Fund and the Frank Sherman Benson Fund, 50.67.52. Creative Commons-BY (Photo: Brooklyn Museum, 50.67.52_PS5.jpg)
overall, 50.67.52_PS5.jpg. Brooklyn Museum photograph, 2013
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.