Inlaid Tomahawk Pipe Bowl
Brooklyn Museum photograph
Object Label
THE JARVIS COLLECTION
The articles in this case and the adjacent clothing case [see 50.67.6] are some of the earliest and finest Eastern Plains pieces in existence. They were collected by Dr. Nathan Sturges Jarvis, a military surgeon stationed at Fort Snelling, Minnesota, between 1833 and 1836. Most items were made by the Eastern and Middle Dakota (Sioux) or by the peoples of the Red River region, including the Red River Métis, Anishinabe, Plains Cree, and Salteaux. Some of the objects were purchased by Jarvis, and others may have been given to him in exchange for his medical services.
By the early nineteenth century, the growing numbers of white settlers and military personnel—following decades of fur trading—had depleted much of the game on which the Dakota and Red River peoples depended. Indigenous ingenuity in combining trade materials such as cloth, metal, and glass beads with traditional hides, pipestone, and porcupine and bird quills is evident in these objects.
Caption
Sioux. Inlaid Tomahawk Pipe Bowl, early 19th century. Catlinite (pipestone), lead, 4 1/2 x 4 x 7/8 in. (11.4 x 10.2 x 2.2 cm). Brooklyn Museum, Henry L. Batterman Fund and the Frank Sherman Benson Fund, 50.67.103. Creative Commons-BY (Photo: Brooklyn Museum, 50.67.103_bw_SL1.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Culture
Title
Inlaid Tomahawk Pipe Bowl
Date
early 19th century
Geography
Place collected: Fort Snelling, Minnesota, United States
Medium
Catlinite (pipestone), lead
Classification
Dimensions
4 1/2 x 4 x 7/8 in. (11.4 x 10.2 x 2.2 cm)
Credit Line
Henry L. Batterman Fund and the Frank Sherman Benson Fund
Accession Number
50.67.103
Rights
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
Frequent Art Questions
Why did the curator put these objects together?
The views shared by many Americans around the centennial towards Native Americans people, contrasted with actual works made by Natives, are being highlighted here. Many people regarded natives as "Noble Savages" that were disappearing and wanted to capture and preserve that legacy.In actuality, Native American culture was alive and well. Some people continued to lived in traditional ways on tribal lands and others moved into cities and lived like "typical Americans."Thank you!You're welcome! You'll notice that many of the works in this room date to the 1870s. 1876 was the United States' Centennial celebration so it was a time of reflection -- what was America all about? How was national identity represented in visual art?
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