Inlaid Tomahawk Pipe Bowl

Sioux

Brooklyn Museum photograph

Object Label

THE JARVIS COLLECTION
The articles in this case and the adjacent clothing case [see 50.67.6] are some of the earliest and finest Eastern Plains pieces in existence. They were collected by Dr. Nathan Sturges Jarvis, a military surgeon stationed at Fort Snelling, Minnesota, between 1833 and 1836. Most items were made by the Eastern and Middle Dakota (Sioux) or by the peoples of the Red River region, including the Red River Métis, Anishinabe, Plains Cree, and Salteaux. Some of the objects were purchased by Jarvis, and others may have been given to him in exchange for his medical services.

By the early nineteenth century, the growing numbers of white settlers and military personnel—following decades of fur trading—had depleted much of the game on which the Dakota and Red River peoples depended. Indigenous ingenuity in combining trade materials such as cloth, metal, and glass beads with traditional hides, pipestone, and porcupine and bird quills is evident in these objects.

Caption

Sioux. Inlaid Tomahawk Pipe Bowl, early 19th century. Catlinite (pipestone), lead, 4 1/2 x 4 x 7/8 in. (11.4 x 10.2 x 2.2 cm). Brooklyn Museum, Henry L. Batterman Fund and the Frank Sherman Benson Fund, 50.67.103. (Photo: Brooklyn Museum)

Gallery

Not on view

Culture

Sioux

Title

Inlaid Tomahawk Pipe Bowl

Date

early 19th century

Geography

Place collected: Fort Snelling, Minnesota, United States

Medium

Catlinite (pipestone), lead

Classification

Ceremonial

Dimensions

4 1/2 x 4 x 7/8 in. (11.4 x 10.2 x 2.2 cm)

Credit Line

Henry L. Batterman Fund and the Frank Sherman Benson Fund

Accession Number

50.67.103

Frequent Art Questions

  • Why did the curator put these objects together?

    The views shared by many Americans around the centennial towards Native Americans people, contrasted with actual works made by Natives, are being highlighted here. Many people regarded natives as "Noble Savages" that were disappearing and wanted to capture and preserve that legacy.
    In actuality, Native American culture was alive and well. Some people continued to lived in traditional ways on tribal lands and others moved into cities and lived like "typical Americans."
    Thank you!
    You're welcome! You'll notice that many of the works in this room date to the 1870s. 1876 was the United States' Centennial celebration so it was a time of reflection -- what was America all about? How was national identity represented in visual art?

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