Adoration of the Magi
Giovanni Paolo Panini
On View: Screens facing Great Hall
Pendants presented an ideal narrative device for representations of the Adoration of the Shepherds and the Adoration of the Magi. Painters delighted in juxtaposing the humble shepherds, modestly clad in simple woolens, with the worldly kings, wearing silken fineries and bearing extravagant gifts. Despite these disparities, the pilgrims are united in their reverence before the newborn Christ.
Panini invokes a long-standing tradition by placing the manger among classical ruins, signifying the end of paganism and the birth of a new religion. A specialist in fantasy landscapes dotted with vestiges of antiquity, Panini concentrates on architectural details—the decrepitude of the monument and the simple sturdiness of the manger—while his figures’ gestures of dignified veneration lead the eye to the Madonna and Child.
Oil on canvas
39 x 29 in. (99.1 x 73.7 cm)
Frame: 47 x 37 in. (119.4 x 94 cm) (show scale)
Gift of Mrs. Thomas F. Walsh
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Giovanni Paolo Panini (Italian, 1691-1765). Adoration of the Magi, ca. 1755. Oil on canvas, 39 x 29 in. (99.1 x 73.7 cm). Brooklyn Museum, Gift of Mrs. Thomas F. Walsh, 55.19 (Photo: Brooklyn Museum, 55.19_SL1.jpg)
overall, 55.19_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.