Skip Navigation

First Personage

Louise Nevelson

Contemporary Art

On View: American Art Galleries, 5th Floor, Counterparts
Louise Nevelson emerged as an artist in the early 1940s, against criticism that she was neglecting the roles of wife and mother and biased skepticism about a female sculptor’s physical and intellectual strength. Nevelson’s totemic wood construction evokes the psychological tension between interior and exterior. As suggested by the sculpture’s title, the undulating frontal slab represents the controlled, outer persona, while the spiky column behind intimates a hidden, agitated, and chaotic self. First Personage features found, splintered, rough, and broken pieces of wood and is one of the first examples that the artist composed in what would become her iconic form.
MEDIUM Painted wood
DATES 1956
DIMENSIONS a: 94 × 37 1/16 × 11 1/4 in. (238.8 × 94.1 × 28.6 cm) b: 73 11/16 × 24 3/16 × 7 1/4 in. (187.2 × 61.4 × 18.4 cm)  (show scale)
SIGNATURE "NEVELSON" carved into the wood on the base of component b
COLLECTIONS Contemporary Art
ACCESSION NUMBER 57.23a-b
CREDIT LINE Gift of Mr. and Mrs. Nathan Berliawsky
PROVENANCE By February 1957, acquired from the artist by Nathan Berliawsky and Lillian Midwolf Berliawsky (Mrs. Nathan Berliawsky) of Rockland, ME; February 13, 1957, gift of Nathan and Lilian Berliawsky to the Brooklyn Museum.
Provenance FAQ
MUSEUM LOCATION This item is on view in American Art Galleries, 5th Floor, Counterparts
CAPTION Louise Nevelson (American, born Ukraine, 1899–1988). First Personage, 1956. Painted wood, a: 94 × 37 1/16 × 11 1/4 in. (238.8 × 94.1 × 28.6 cm). Brooklyn Museum, Gift of Mr. and Mrs. Nathan Berliawsky, 57.23a-b. © artist or artist's estate (Photo: Brooklyn Museum, 57.23a-b_PS11.jpg)
IMAGE overall, 57.23a-b_PS11.jpg. Brooklyn Museum photograph, 2022
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT © artist or artist's estate
Copyright for this work may be controlled by the artist, the artist's estate, or other rights holders. A more detailed analysis of its rights history may, however, place it in the public domain. The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.