First Personage
Louise Nevelson
Contemporary Art
On View: American Art Galleries, 5th Floor, Counterparts
Louise Nevelson emerged as an artist in the early 1940s, against criticism that she was neglecting the roles of wife and mother and biased skepticism about a female sculptor’s physical and intellectual strength. Nevelson’s totemic wood construction evokes the psychological tension between interior and exterior. As suggested by the sculpture’s title, the undulating frontal slab represents the controlled, outer persona, while the spiky column behind intimates a hidden, agitated, and chaotic self. First Personage features found, splintered, rough, and broken pieces of wood and is one of the first examples that the artist composed in what would become her iconic form.
MEDIUM
Painted wood
DATES
1956
DIMENSIONS
a: 94 × 37 1/16 × 11 1/4 in. (238.8 × 94.1 × 28.6 cm)
b: 73 11/16 × 24 3/16 × 7 1/4 in. (187.2 × 61.4 × 18.4 cm)
(show scale)
SIGNATURE
"NEVELSON" carved into the wood on the base of component b
ACCESSION NUMBER
57.23a-b
CREDIT LINE
Gift of Mr. and Mrs. Nathan Berliawsky
PROVENANCE
By February 1957, acquired from the artist by Nathan Berliawsky and Lillian Midwolf Berliawsky (Mrs. Nathan Berliawsky) of Rockland, ME; February 13, 1957, gift of Nathan and Lilian Berliawsky to the Brooklyn Museum.
Provenance FAQ
CAPTION
Louise Nevelson (American, born Ukraine, 1899–1988). First Personage, 1956. Painted wood, a: 94 × 37 1/16 × 11 1/4 in. (238.8 × 94.1 × 28.6 cm). Brooklyn Museum, Gift of Mr. and Mrs. Nathan Berliawsky, 57.23a-b. © artist or artist's estate (Photo: Brooklyn Museum, 57.23a-b_PS11.jpg)
IMAGE
overall, 57.23a-b_PS11.jpg. Brooklyn Museum photograph, 2022
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RIGHTS STATEMENT
© artist or artist's estate
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Tell me more.
This is such a fascinating piece; I love how it changes depending on where you are standing. This large, textured, black wooden sculpture is characteristic of Nevelson's work, especially in the 1950s.
Nevelson is considered a pioneer as a woman artist, as a feminist artist, and as an abstract sculptor.
In the mid-20th century, prominent abstract sculptors like Isamu Noguchi and Alexander Calder were working primarily in stone and metal. In contrast, Nevelson favored found materials, especially wood.