On View: Luce Visible Storage and Study Center, 5th Floor
After training as a painter with his father, Charles Volkmar continued his studies in France. There he became fascinated with the effects of painting on ceramics, in particular the dense, brilliant colors achieved by the kilns in Limoges.
Following his return to New York around 1878, Volkmar opened his own pottery in Greenpoint and began making French-style wares (such as the vases shown here) similar to those produced at FMCo before the arrival of Edward Lycett. Volkmar is an early example of a studio potter who, rather than establishing a large factory, created one-of-a-kind handmade art pottery.
Height: 12 5/8 in. (32.1 cm.); Diameter of base: 3 7/8 in. (9.8 cm.) (show scale)
Gift of Leon Volkmar
One of pair (with 44.31.3) of red earthenware vases decorated with underglaze slip painting. Slip was made of ground porcelain acquired from the Union Porcelain Co. Vase has a pastoral view of cows and trees on one side; the other side mottled in blue and brown, two vertical handles.
Charles Volkmar (American, 1841-1914). Vase, ca. 1881. Earthenware, Height: 12 5/8 in. (32.1 cm.); Diameter of base: 3 7/8 in. (9.8 cm.). Brooklyn Museum, Gift of Leon Volkmar, 44.31.2. Creative Commons-BY (Photo: , 44.31.3_44.31.2_bw.jpg)
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.