Reflections

John Henry Twachtman

Brooklyn Museum photograph

Object Label

When he undertook this view along the banks of the Niagara River, the American Impressionist John Henry Twachtman was attentive to the example of the French Impressionist Claude Monet, whose works were at the time becoming increasingly popular in the United States.
Both artists were passionate about Japanese prints—an interest evident in this scene’s flat space and asymmetrical arrangement of dramatic diagonals such as the pier and the poplar-lined riverbank. The artist’s use of a square format served to emphasize the two-dimensionality of the compositional design.

Caption

John Henry Twachtman American, 1853–1902. Reflections, ca. 1893–1894. Oil on canvas, frame: 42 1/16 × 42 3/8 × 3 in. (106.8 × 107.6 × 7.6 cm) 29 13/16 × 29 15/16 in. (75.7 × 76.1 cm) frame: 42 × 42 1/2 × 2 3/4 in. (106.7 × 108 × 7 cm). Brooklyn Museum, Dick S. Ramsay Fund, 44.42. No known copyright restrictions (Photo: Brooklyn Museum, 44.42_SL1.jpg)

Gallery

Not on view

Collection

American Art

Title

Reflections

Date

ca. 1893–1894

Medium

Oil on canvas

Classification

Painting

Dimensions

frame: 42 1/16 × 42 3/8 × 3 in. (106.8 × 107.6 × 7.6 cm) 29 13/16 × 29 15/16 in. (75.7 × 76.1 cm) frame: 42 × 42 1/2 × 2 3/4 in. (106.7 × 108 × 7 cm)

Signatures

Signed lower right: "JH Twachtman--"

Credit Line

Dick S. Ramsay Fund

Accession Number

44.42

Rights

No known copyright restrictions

This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Tell me more.

    The Impressionist movement got its start in Paris in the 1870s. American painters, like Twatchman, who traveled to France were inspired by the work of Monet and his contemporaries and developed their own, American Impressionist style.
    The scene we see here is based on a pier on the Niagara River where Twatchman visited in 1893 or 94. The Impressionist style is characterized by a focus on the effects of light on the surfaces captured by the artist.

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