Bracket with Lotus Leaf Pattern
These ornamental brackets, exemplary of eighteenth-century Guijarati wood carving, are from a rest house associated with a Jain temple. Pilgrims who came to worship in the temple used the rest house for social activities.
The Brooklyn Museum of Art's first Curator of Ethnology, Stewart Culin (1858–1929), purchased the rest house while traveling with Lockwood de Forest (1850–1932) of the Metropolitan Museum of Art on a Museum expedition to India in 1913–14. De Forest had established the Ahmedabad Wood Carving Company with Maganbhai Hutheesing in 1881 in response to the popularity of orientalist ornament in the Arts and Crafts Movement.
Carved wood and polychrome
73 in. (185.4 cm)
mount: 73 × 5 in. (185.4 × 12.7 cm) (show scale)
This item is not on view
Bracket with Lotus Leaf Pattern. Carved wood and polychrome, 73 in. (185.4 cm). Brooklyn Museum, 14.732.8. Creative Commons-BY (Photo: , CUR.14.732.8.jpg)
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.