Figure (Temes Nevinbur)
Arts of the Pacific Islands
Fiber, leaves, wood, raffia, vegetal-fiber paste, pigment
early 20th century
34 1/4 x 21 1/2 x 3 3/4 in. (87 x 54.6 x 9.5 cm) (show scale)
This item is not on view
Frederick Loeser Fund, Carll H. de Silver Fund, and Caroline A.L. Pratt Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Malakula. Figure (Temes Nevinbur), early 20th century. Fiber, leaves, wood, raffia, vegetal-fiber paste, pigment, 34 1/4 x 21 1/2 x 3 3/4 in. (87 x 54.6 x 9.5 cm). Brooklyn Museum, Frederick Loeser Fund, Carll H. de Silver Fund, and Caroline A.L. Pratt Fund, 68.53. Creative Commons-BY (Photo: Brooklyn Museum, 68.53.jpg)
overall, 68.53.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Female half figure (waist up) shown with raised, outstretched arms at 90 degrees to one another, and at 135 degrees to the lower torso which is modeled over the supporting wooden armature. Body, arms, and head are bulked out with leaves and vegetable fiber, tied with raffia strings, and covered with a thin layer of paranarium nut paste which is thicker on the head where everything is molded to form facial features. The left hand has four fingers and the right hand two (2 or 3 having been broken off). Head is rigged with modeled paranarium paste. A turban-like ring of raffia strings encircles the top of the head. Background paint is black over painted with earth white and bright orange; arms encircled and torso is broken up into triangular areas. Head is painted with parallel lines, narrower than on other body parts.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.