Funerary Figure of a Woman
Egyptian, Classical, Ancient Near Eastern Art
This large figure of a woman was carved against a flat ground. Originally full-length, the figure may have been broken by the tomb robbers who left marks in the stone around the woman’s head while trying to remove her from the background. Her hairdo, clothing, and jewelry are entirely classical, as was then the fashion. The cup in her hand, meant to hold Nile River water, shows that she was a priestess of Isis, one of the few Egyptian deities whose cult lasted into this period.
Limestone, gesso, pigment
3rd-4th century C.E.
Late Antique Period
34 5/8 x 20 1/16 x 11 13/16 in. (88 x 51 x 30 cm) (show scale)
This item is not on view
Charles Edwin Wilbour Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Coptic. Funerary Figure of a Woman, 3rd-4th century C.E. Limestone, gesso, pigment, 34 5/8 x 20 1/16 x 11 13/16 in. (88 x 51 x 30 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 70.132. Creative Commons-BY (Photo: Brooklyn Museum, 70.132_PS1.jpg)
overall, 70.132_PS1.jpg. Brooklyn Museum photograph, 2008
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Figure shows traces of gesso and paint.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.