Egyptian, Classical, Ancient Near Eastern Art
On View: Temples and Tombs, Martha A. and Robert S. Rubin Gallery, 3rd Floor
Living persons wore only one or a few amulets at a time, but mummies usually bear many amulets. The Ma’at amulet (no. 2) and heart scarabs (nos. 1, 3, 11), which occurred in many forms, guaranteed a successful judgment of the dead. The amulets of a hand (no. 8), lungs and a windpipe (no. 12), and wadjet-eyes (i.e., “healthy” eyes; no. 4) protected those parts of the body and also had connotations of resurrection and the unity or integrity of the mummy. The enigmatic aper amulet (no. 13) takes the form of the hieroglyph meaning “to be equipped,” perhaps in reference to the mummy’s preparation. The two crowns (nos. 5, 6) were symbols of power. The Heh insignia (no. 7), like the popular ankh-sign, denoted eternal life. Among the living, the frog (no. 9) and possibly also the hare (no. 10) suggested fertility. The amulets of the Four Sons of Horus (no. 15) perhaps served, as they did with canopic jars, to protect various organs of the body.
ca. 664-30 B.C.E.
H: 2.7 cm, H. of base: c. 0.5 cm; length 4.6 cm, L. of fig. 4.5 cm, L. of ears: 2.2 cm; width 5.0 cm (show scale)
Gift of Mr. and Mrs. Carl L. Selden through The Roebling Society
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Hare Amulet, ca. 664-30 B.C.E. Faience, glazed, H: 2.7 cm, H. of base: c. 0.5 cm; length 4.6 cm, L. of fig. 4.5 cm, L. of ears: 2.2 cm; width 5.0 cm. Brooklyn Museum, Gift of Mr. and Mrs. Carl L. Selden through The Roebling Society, 72.38. Creative Commons-BY (Photo: Brooklyn Museum, 72.38_threequarter_left_PS2.jpg)
3/4, 72.38_threequarter_left_PS2.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
One green glazed faience amulet of a rabbit crouching on a base rounded in the back; with large ears extending back from the head and resting on an attachment to the back. Attachment is pierced horizontally for suspension.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.