Utagawa Hiroshige (Ando) (Japanese, 1797-1858). <em>Kinokuni Hill and Distant View of Akasaka Tameike, No. 85 from One Hundred Famous Views of Edo</em>, 9th month of 1857. Woodblock print, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.85 (Photo: Brooklyn Museum, 30.1478.85_PS1.jpg)

Kinokuni Hill and Distant View of Akasaka Tameike, No. 85 from One Hundred Famous Views of Edo

Artist:Utagawa Hiroshige (Ando)

Medium: Woodblock print

Geograhical Locations:

Dates:9th month of 1857

Dimensions: Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm) Image: 13 3/8 x 8 3/4 in. (34 x 22.2 cm)


Museum Location: Brooklyn Museum, BMA, 2N12, A412


Accession Number: 30.1478.85

Image: 30.1478.85_PS1.jpg,

Catalogue Description:
This view shows a daimyo procession marching up Kinokuni Hill, with Akasaka district in the distance. Shown here is only one side of a double file procession. These figures were well known for their performing skills, twirling and tossing these standards, which are seen well balanced in the palms of their hands. The forward guard is wearing a jacket of indigo-dyed "shobu leather," named after the pattern of shobu leaves (seen also in print 64 of the series) on the shoulders. Kinokuni Hill ran outside the estate of the Tokugawa lord of Kinokuni (Kii Province, now Wakayama Prefecture). The Kii estate became Akasaka Detached Palace in the Meiji Period, then was the residence of the emperor until 1888. In 1909 it became a grand Western-style palace that remains there today and is now used as a state guest house. At the lower left is a section of the Outer Moat, known today as Benkeibori. In the far center distance is a fire tower and shogunal firefighter barracks, which today is the Hotel Okura Annex. Behind the procession, in the forest, is one of the estates of Asano of Hiroshima, which in modern times has been a military court, a prison, a barracks, and today is the site of the TBS broadcasting empire. At the far right is another fire tower of another shogunal barracks.

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