Utagawa Hiroshige (Ando) (Japanese, 1797-1858). <em>Meguro Drum Bridge and Sunset Hill, No. 111 from One Hundred Famous Views of Edo</em>, 4th month of 1857. Woodblock print, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.111 (Photo: Brooklyn Museum, 30.1478.111_PS1.jpg)

Meguro Drum Bridge and Sunset Hill, No. 111 from One Hundred Famous Views of Edo

Artist:Utagawa Hiroshige (Ando)

Medium: Woodblock print

Geograhical Locations:

Dates:4th month of 1857

Dimensions: Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm) Image: 13 3/8 x 8 3/4 in. (34 x 22.2 cm)


Museum Location: Brooklyn Museum, BMA, 2N12, A414


Accession Number: 30.1478.111

Image: 30.1478.111_PS1.jpg,

Catalogue Description:
A view of the famous drum bridge in the valley of the Meguro River, the main route to the shrine of Meguro Fudo (not seen here and one of the few shrines not shown in this series). Arched, stone bridges were unusual in Edo, as they did not withstand earthquakes well, and this type of structure was more common in China than Japan. By 1919, this bridge was replaced by a steel structure, which although flat, does have an arch shape in the railings. On the left, the road leads up a steep slope known as Gyoninzaka, named after a wandering ascetic (gyonin) who founded the temple of Daienji on the side of the hill. The slope leading down from Meguro Station still survives today. The Sunset Hill of the title is shown at the left and was once known for its brilliant maple trees, although they had disappeared before this print was published. The hill has been the site of Gajoen, a large hotel and banquet palace, since 1931. This print portrays particular skill in depicting snow accumulation on the tree branches. The coming spring might be suggested by the use of green bokashi on the title cartouche.

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