Medium: Ceramic with metallic (ginsai) glazes
Dimensions: 20 × 14 3/4 × 10 in. (50.8 × 37.5 × 25.4 cm)
Museum Location: Asian Galleries, West, 2nd floor (China)
Accession Number: 2017.45
Catalogue Description: Upright cylindrical vessel with a bulging base, standing on a small footring. The lip dips down at one side to create a U-shaped opening that is accentuated by a rolled rim. The body of the vessel is decorated on both interior and exterior surfaces with abstract, somewhat biomorphic forms in three shades of silver metallic glaze. The artist was one of the leaders of a movement in the 1980s and 1990s in which surface ornament was reintroduced as an important element in sculptural forms. These Japanese ceramicists created complex dialogues between three dimensional and two dimensional shapes in which the broad abstractions painted on the surface sometimes correspond to the swelling of the vessel, but in other cases -- such as the use of straight edges and sharp corners -- contrast with it. Yanagihara often infuses his vessels with subtle social commentary, commenting on the role of ceramics in consumer culture by covering pieces in silver or gold. He also occasionally employs sexual imagery to rebel against the pretenses of sobriety and refinement that have infused Japanese ceramic connoisseurship since the development of the tea ceremony more than 500 years ago.