Collections: Browse Collections

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Fertility Figurine

Statuettes of naked women with incomplete legs, like this example, have been found in Middle Kingdom tombs and houses. Early Egyptologists mistakenly identified them as concubines intended to provide the spirits of men with an eternity of sexual pleasure

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

On View: The Fallen Angel, or Illusions Received by the Earth (La Chute d'un ange, ou Les Illusions reçues par la Terre)

This piece exemplifies Rodin’s signature modeling, in which his sculpted figures seem to emerge organically from the unworked clay. Kneebone’s nearby Descent also mines sculpture’s ability to represent metamorphosis through the exuberant explosions of limbs and body parts

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Exploring the collection

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Double Bell (Egogo)Caught Napping (Boys Caught Napping in a Field)Coiled Presentation BowlFragment of a Bowl Depicting a Mounted WarriorHaniwa Figure of a ShamanessJheri Now, Curl LaterBedStatuette of Queen Ankhnes-meryre II and her Son, Pepy IIChrist BlessingItalyCharles, Vasa, MinnesotaVirginia Woolf Place Setting

The Museum's collections were initially developed, in the early decades of the twentieth century, by such outstanding curators as Stewart Culin, Herbert Spinden, and William Henry Goodyear, with the generous support of collectors and donors from Brooklyn and around the country. Continuing to build upon their pioneering work, the Brooklyn Museum has amassed one of the largest and most diverse collections in the United States. Its vast holdings range from the ancient to the contemporary and encompass virtually all the world's principal cultures, reflecting the institution's long history of acquiring Western and non-Western art.

The material presented here represents only a fraction of that rich collection. The Museum is committed to making its collections accessible to the widest possible audience, and this site is an important part of that process. It is, however, a work in progress. We intend to continue to expand the number of works of art included on the site and to update information currently posted. We are making every effort to ensure that the information provided about our collection is accurate and up-to-date, but the nature of scholarship is that there are sometimes changes in information and new discoveries. If you believe you have information we should have about any of the works you find here, we would be happy to hear from you.

Please note that for a variety of reasons, including conservation concerns and the lending of works to other institutions, not all the objects illustrated here are on view at any one time in the Museum's galleries. Specific location information can be found on each object's record.

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