Collections: Asian Art: Ewer with Phoenix Head

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Milk Vase

Early Dynasty 18 potters produced vessels with applied clay in the shape of a woman's head, arms, and breasts.The Ebers Medical Papyrus, a l...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Block Statue of Padimahes

    Block statues show their subject seated on the ground with knees drawn up to the chest, resulting in a block-like form. Placed on the floor ...

     

    Want to add this object to a set? Please join the Posse, or log in.

    close

    54.7_detail_03_PS9.jpg 54.7_detail_02_PS9.jpg 54.7_detail_06_PS9.jpg 54.7_detail_05_PS9.jpg 54.7_side_left_PS9.jpg 54.7_side_right_PS9.jpg 54.7_detail_04_PS9.jpg 54.7_detail_01_PS9.jpg 54.7_SL1.jpg CUR.54.7_bottom_bw.jpg CUR.54.7_detail_bw.jpg

    Ewer with Phoenix Head

    The Museum's Phoenix-Headed Ewer is a superb example of qingbai, or "blue-white" high-fire ceramic. The head is wonderfully carved and modeled, and truly ferocious in appearance. The earliest ceramic phoenix-headed ewers, or vaselike pitchers, date from the Tang Dynasty (A.D.618-907) and were inspired by gold and silver ewers with phoenix heads imported from Sassanian Persia. Maritime trade between China and Southeast Asia, the Philippines, and the islands of modern Indonesia greatly expanded during the early Song Dynasty in the late tenth century, and many examples of qingbai wares such as this Ewer were exported there.

    • Medium: Qingbai ware, stoneware, translucent glaze
    • Place Made: China
    • Dates: ca. 10th century
    • Dynasty: Tang Dynasty to Song Dynasty
    • Dimensions: height: 14 9/16 in. (37 cm); diameter: 6 7/8 in. (17.5 cm)  (show scale)
    • Collections:Asian Art
    • Museum Location: This item is not on view
    • Accession Number: 54.7
    • Credit Line: Ella C. Woodward Memorial Fund and Frank L. Babbott Fund
    • Rights Statement: Creative Commons-BY
    • Caption: Ewer with Phoenix Head, ca. 10th century. Qingbai ware, stoneware, translucent glaze, height: 14 9/16 in. (37 cm); diameter: 6 7/8 in. (17.5 cm). Brooklyn Museum, Ella C. Woodward Memorial Fund and Frank L. Babbott Fund, 54.7. Creative Commons-BY
    • Image: detail, 54.7_detail_03_PS9.jpg. Brooklyn Museum photograph, 2019
    • Catalogue Description: Large ewer with phoenix head. Stoneware, when high fired turns a light grey-buff color. Translucent glaze with tints of pale blue-green and sometimes pale buff. Wheel made pot with molded phoenix head, handle and spout applied. Details in phoenix head incised. Three incised circles on body, two raised rings on neck. Condition: generally good, although there are firing flaws in the glaze. The following pieces are missing: top center of phoenix crest, tips of ears and one half of spout. This may well be a tenth century or early Sung example of 'ch'ing pai' ware. It was sold to the museum as coming (by a previous owner) from Indonesia. This ewer appears to be an export version of the famous phoenix-headed ewer from the Eumorfopoulos Collection in the British Museum.
    • Record Completeness: Best (91%)
    advanced 108,204 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."


    Recent Comments
    21:23 09/20/2010
    Where were phoenix-headed ewers made? At which kilns?
    By Doug White



    Please review the comment guidelines before posting.

    Before you comment...

    We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:

    Why are some objects not on view?

    The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.

    How do I find out how much an object in the Brooklyn Museum collections is worth?

    The Museum does not disclose the monetary values of objects in its collections.

    Can you tell me the value of an artwork that I own?

    The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.

    I own a similar object. Can you tell me more about it?

    Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.

    How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?

    Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.

    How can I get a reproduction of a work in your collection?

    Please see the Museum’s information on Image Services.

    How can I show my work to someone at the Museum or be considered for an exhibition?

    Please see the Museum’s Artist Submission Guidelines.

    Why do many objects not have photographs and/or complete descriptions?

    The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.

    How can I find a conservator or get advice on how to treat my artwork?

    Please visit the American Institute for Conservation, which has a feature on how to find a conservator.

    I have a comment or question which is not included in this list.

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.