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Kuba artist. Mask (Mwaash aMbooy), late 19th or early 20th century. Rawhide, paint, plant fibers, textile, cowrie shells, glass, wood, monkey pelt, feathers, 22 x 20 x 18 in. (55.9 x 50.8 x 45.7 cm). Brooklyn Museum; Robert B. Woodward Memorial Fund, 22.1582. (Photo: Brooklyn Museum)


                           
                           Kuba artist. Mask (Mwaash aMbooy), late 19th or early 20th century. Rawhide, paint, plant fibers, textile, cowrie shells, glass, wood, monkey pelt, feathers, 22 x 20 x 18 in. (55.9 x 50.8 x 45.7 cm). Brooklyn Museum; Robert B. Woodward Memorial Fund, 22.1582. (Photo: Brooklyn Museum)

Kuba artist. Mask (Mwaash aMbooy), late 19th or early 20th century. Rawhide, paint, plant fibers, textile, cowrie shells, glass, wood, monkey pelt, feathers, 22 x 20 x 18 in. (55.9 x 50.8 x 45.7 cm). Brooklyn Museum; Robert B. Woodward Memorial Fund, 22.1582. (Photo: Brooklyn Museum)

<p>Gilbert Stuart (American, 1755–1828). <em>George Washington</em>, 1796. Oil on canvas, 96<sup>1</sup>/<sub>4</sub> x 60<sup>1</sup>/<sub>4</sub> in. (244.5 x 153 cm). Brooklyn Museum; Dick S. Ramsay Fund and Museum Purchase Fund, 45.179. (Photo: Brooklyn Museum)</p>

Gilbert Stuart (American, 1755–1828). George Washington, 1796. Oil on canvas, 961/4 x 601/4 in. (244.5 x 153 cm). Brooklyn Museum; Dick S. Ramsay Fund and Museum Purchase Fund, 45.179. (Photo: Brooklyn Museum)

African Arts—Global Conversations

February 14–November 15, 2020

Lobby Gallery, 1st Floor, Collection Galleries, 2nd, 3rd, and 5th Floors

African Arts—Global Conversations puts African arts where they rightfully belong: within the global art historical canon. It brings those works into greater, meaningful art historical conversations and critiques previous ways that encyclopedic museums and the field of art have or have not included them.

The exhibition’s unique transcultural approach pairs diverse African works across mediums with objects from around the world. By considering how shared themes and ideas—such as faith, origins, modernism, and portraiture—developed independently in different parts of the globe, it offers new theoretical models for discussing African arts in relation to non-African arts. Moving beyond the story of European modernists’ so-called “discovery” of African arts, it fills in the blanks in decades of art history textbooks (as shown by examples on view).

African Arts—Global Conversations presents thirty-three works, including twenty by African artists. On view are new acquisitions and never-before-exhibited objects, among others, in a first-floor introductory gallery and also in groupings throughout the Museum. Highlights include a celebrated eighteenth-century Kuba sculpture, fourteenth- to sixteenth-century Ethiopian Orthodox processional crosses, and a mid-twentieth-century Sierra Leonean Ordehlay or Jollay society mask. Also featured are recent works by Atta Kwami, Ranti Bam, Magdalene Odundo OBE, and Taiye Idahor, which are paired with artworks by Māori, Seminole, Spanish, American, Huastec, and Korean artists.

African Arts—Global Conversations is curated by Kristen Windmuller-Luna, Sills Family Consulting Curator, African Arts, Brooklyn Museum.

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