Arts of the Islamic World
This molded tile depicts four grandees associated with the court of Nasir al-Din Shah (reigned 1848–96) of the Qajar Dynasty (1785–1925). They stand at attendance with their hands discreetly folded, demonstrating the formality of court ritual during the period. Used as part of a decorative ensemble in a princely mansion or palace, this tile represents the high level of technical skill that ceramic artists achieved during the Qajar period. The figures are rendered in grisaille, a technique in which shades of black, white, and gray are used exclusively, and they hover amid floral sprays and individual blossoms on a monochrome cobalt-blue background. The color bleeds very little into the black-and-white figures, indicating the artist's control in glazing and firing processes.
Ceramic; fritware, painted in black, cobalt blue, turquoise, manganese purple, pink, and yellow under a transparent glaze
13 3/4 x 1 3/16 x 11 3/4 in. (34.9 x 3 x 29.8 cm) (show scale)
This item is not on view
Hagop Kevorkian Fund
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Molded Tile, mid-19th century. Ceramic; fritware, painted in black, cobalt blue, turquoise, manganese purple, pink, and yellow under a transparent glaze, 13 3/4 x 1 3/16 x 11 3/4 in. (34.9 x 3 x 29.8 cm). Brooklyn Museum, Hagop Kevorkian Fund, 1991.2. Creative Commons-BY (Photo: Brooklyn Museum, 1991.2_SL1.jpg)
overall, 1991.2_SL1.jpg. Brooklyn Museum photograph
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