Housepost, One of Pair
Arts of Africa
Figurative posts often support the verandas of distinguished places such as important shrines or the dwellings of kings, titled elders, and priests. Just as a post supports the house, the carved figures represent the individuals who support and uphold the leader in his office.
late 19th or early 20th century
64 x 9 1/4 x 6 in. (162.6 x 23.5 x 15.2 cm) (show scale)
This item is not on view
Gift of Allen A. Davis
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Yorùbá artist. Housepost, One of Pair, late 19th or early 20th century. Wood, pigment, 64 x 9 1/4 x 6 in. (162.6 x 23.5 x 15.2 cm). Brooklyn Museum, Gift of Allen A. Davis, 82.154.1. Creative Commons-BY (Photo: , 82.154.1_82.154.2_SL1.jpg)
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Carved wood figurative housepost painted red-brown, and composed of a seated female figure holding a child at the top. She wears a necklace, ear plugs, and a skirt, and is seated on a circular platform. Beneath her is a figure of an equestrian figure, wearing a baldric, armrings and holds the handle of a flywhisk in his left hand. His cap painted blue. The whisk hangs over his left shoulder. He is seated on a saddle. The horse wears a bridle and stirrups.
Condition: There is an old break through the neck of the female figure that has been repaired, but area is still weak and must be handled with care. There are eroded portions throughout post and checking from age and wear. Right arm of rider is missing.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.